#Spike cowboy bebop black and white series#
Nemec’s series is more a bricolage of the original anime’s most notable scenes and moments than a point-for-point recreation, but any reference leaves it inescapably dwarfed by its predecessor. The sci-fi western noir harkened to influences as far afield as Aerosmith, Bruce Lee, David Bowie, and Jean-Luc Godard, creating a cool melancholy punctuated with moments of action and levity. The original Cowboy Bebop anime, conceived and produced by screenwriter Keiko Nobumoto, animation director Toshiro Kawamoto, key animator Yutaka Nakamura, composer Yoko Kanno, and director Shinichirō Watanabe was a work of pastiche. The decision stumbles hardest in the series’ attempts at humor, be it cringe-inducing puns about Jet’s Black manhood or a character named “The Eunuch” boasting about the power that comes from castrating and devouring your enemies’ testicles. The decision to bring back composer Yoko Kanno to perform the score for this new series demonstrates an understanding of how integral her music was to the identity of the anime.īut the stark disparity between the exaggerated tone of the Netflix series and that of the original 26-episode anime (and interquel feature film) feels like a decision by showrunner André Nemec to interpret the idea of what a cartoon would feel like in live-action rather than create a more straightforward version of Cowboy Bebop. There’s also greater attention to the motivations behind his conquest for power other than power simply for the sake of power itself. In the hands of Alex Hassell, Vicious is still a ridiculous antagonist, but rendered as more impetuously temperamental and conniving than full-on sociopathic. The show expands the character of Julia (Elene Satine), Spike’s former flame, in ways the original Cowboy Bebop never did, affording her a sense of history, presence, autonomy and motivation apart from simply being the object of affection of either Spike or his longtime nemesis Vicious. Alterations to the backstories of characters make way for new arcs that offer interesting developments and dimensions not seen in the original. Whether in the seedy underbelly of Mars or sunbaked bubble of New Tijuana, life is coming at them fast.įrom its costumes and makeup, set designs and music, this live-action incarnation of Cowboy Bebop boasts a fastidious attention to the surface details of the original anime in an effort to go one step further. While assassins or mafiosos are often on their tails, each of the Bebop’s crewmates also outrun, or try to reconcile with, the trauma of their respective pasts.
#Spike cowboy bebop black and white zip#
The core premise of Cowboy Bebop remains more or less the same: Bounty hunters Spike Spiegel (John Cho), Jet Black (Mustafa Shakir), and Faye Valentine (Daniella Pineda) zip around the solar system in a retrofitted fishing trawler dubbed “the Bebop,” hunting down criminals to earn a living. But that initial charm can’t disguise the fact that the singer only seems to know about half the lyrics, and the guitarist can’t carry a tune. The players involved with Netflix’s new blockbuster series throw themselves into the material, and viewers might even feel a rush of joy in recognizing an old favorite reinterpreted with colorful enthusiasm.
The original Cowboy Bebop anime was like a critically acclaimed band with a nigh-perfect career of defining hits, and the 2021 Cowboy Bebop is a ska-funk cover band playing through its hits.
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